Matt

Founding Apostle

…And you thought it was over

What’s this, two posts in one day?  I thought I’d share the rest of the evening’s festivities after the official Tullibardine tasting at The Brandy Library wound down.  There where quite a few people in attendance, including reps for Chivas and Famous Grouse (there were others too, I think).  Honorary Apostles Tamir and Shelline accompanied me as we drank deep the water of life.

Since Total Beverage Solution also handles Edradour and independent bottler Signatory, Adam (the TBS rep) let us sample the Signatory Isle of Jura and the Edradour Calendonia.

The Jura was quite interesting.  Like many other independent bottlers, Signatory does not purchase all their casks from the distillers.  Some of the casks come from overstock sold off by big blending houses (most likely Whyte & Mackay in this instance).  This Jura is one of those.  I’ve never been a fan of Jura.  I’ve always equated Jura’s taste profile to clinging to an innertube during a sea storm.  Something about this cask spending time off the island has tempered the salt.  The Signatory Isle of Jura is a little more balanced and subtle than the last distillery bottling I tried (admittedly some time ago).  The salt is certainly there.  There is a scent of the wilderness too, of animals and earth.  Quite delightful.

The Edradour Caledonia is a special 12 year old release hand picked by Scottish crooner Douglas Maclean and named for his song.  It’s got big, bold sherry notes and rich sugars (honey and brown sugar) without being cloying.  There are plenty of other things going on here so you don’t get bogged down in the sherry.  It reminds me of my favorite pipe tobacco quite a bit.

As mentioned earlier, a rep from Chivas happened to be on hand and poured us a dram of Chivas 18yo as we waxed philosophic on the importance of blends.  You already know my thoughts on Chivas 18yo.  Of course, The Brandy Library’s own Ethan Kelly had to get in on the action by turning us on to Old Parr 12yo.  Old Parr is a blend that has long interested me, solely because of the unique bottle shape.  Yet, I remained skeptical.  It’s an inexpensive blend in a funny bottle.  How good could it be?  Well, it’s quite nice.  If Johnnie Walker Black Label was softened to the point of being drinkable neat, it would taste something like this.  Smokey and sweet, this blend is more complex than expected, but smooth and balanced.  I’d say this a great buy.  After all, everyone should have at least one blended whisky in your bar no matter how much of a single malt snob you are.

Lastly, we had a dram of Glendronach 12yo.  The new Glendronachs are a huge improvement over the old ones.  The sherry is present without being overpowering.  The addition of Pedro Ximinez sherry casks really kicks up the palate.  This is very sophisticated for a 12yo.

Thanks to everyone:  Ethan at The Brandy Library, Anwar from Chivas, Adam from TBS, Shelline and Tamir.  Nights like this are what drinking whisky is about.  Sitting around enjoying a great dram with great conversation.  Slainte.

-Matt

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Tullibardine At The Brandy Library

Last night, I hopped the E train down to Tribeca for some whisky and conversation (way better than tea and sympathy btw).  The Brandy Library and Adam Jacobs of Total Beverage Solution was hosting a tasting of four Tullibardine single malts.

Despite being located on the side of Scotland’s oldest brewery (circa 12th century), Tullibardine is a Highland distillery that you don’t hear about much here in the States.  This is due in part to being mothballed from 1995-2003.  Luckily, the distillery was in pretty good shape and there were a lot of casks just waiting to be bottled.

Tullibardine Vintage 1993
(15 years in 1st fill bourbon casks, no caramel coloring, chill-filtered, 43% ABV)
This is Tullibardine’s “benchmark” expression and arguably the most unique in the range.  I get a lot of citrus from both the nose and the palate.  Specifically, it’s like the pith of a pink grapefruit; slightly tart, slightly sweet, and crisp.  The cereal notes are also very prominent.  When you add in the floral and vanilla notes, it’s like a hearty country breakfast.

Tullibardine Vintage 1993 Oloroso Sherry Finish
(15 years old, about 15 months in sherry butts, non chill-filtered, no caramel coloring, 46% ABV)
Despite the higher proof, this whisky is not “hot” by any means.  The elements that make Tullibardine unique are still present, but with added elements of toffee, dark fruits and spice.  If you threw some haroset* into your country breakfast, this is what you’d get.

Tullibardine Vintage 1992
(16 years old, a marriage of mostly 1st fill bourbon casks with some sherry hogsheads, non chill-filtered, no caramel coloring, 46% ABV)
Here is where we lose some of the unique Tullibardine-ness.  Don’t get me wrong; this is a really nice whisky.  However, it’s very generic.  Vintage 1992 could easily have come from a number of other Highland distilleries.  The cereal notes are still there, there is a lot more sherry influence, but the citrus is muted almost to extinction.

Tullibardine Vintage 1988
(20 years old, a 50/50 marriage of 1st fill bourbon casks and sherry hogsheads, non chill-filtered, no caramel coloring, 46% ABV)
The extra age and slightly different blend resuscitates the citrus (and the whisky).  Vintage 1988 is rich and smooth, like a bolder version of the ’93 Oloroso Finish, but retains the vibrancy of the standard ’93 vintage.

I really enjoyed the uniqueness of Tullibardine, but there’s a catch.  All of the whiskies in this line-up where distilled under the previous ownership.  What’s to say that the new Tullibardine whiskies will be anything like these?  Will there still be that grapefruit vibrancy or will the taste profile become more generic like so many other malts that fall within a somewhat narrow range of deviation?  Only time will tell.  Thanks to Adam from Total Beverage Solution and Ethan Kelly at Brandy Library for playing host.

*Haroset (or charoset) is a blend of fruits, nuts, and spices that people of the Jewish faith eat during Passover to symbolize the mortar used during the years of slavery in Egypt.  I’m specifically referring to the Middle Eastern style that uses figs, dates, raisins and walnuts mixed with cinnamon and sweet wine.

-Matt

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Buffalo Trace Releases Canadian Whisky?

Straight on the heels of Richard’s momentous discovery that Buffalo Trace is now available in Atlanta, John Hansell breaks news that the Sazerac Company (makers of Buffalo Trace and countless other fine spirits) will have two new Canadian whiskies on store shelves by the end of the month.  How can an American distillery release a Canadian whisky, you may be asking.  Well, the answer is simple.  The Sazerac Company acquired some Canadian whisky stocks (no word on the source) and now they are making them available.  I have to say that I’m torn about this news.  As you well know, Richard and I are not huge fans of Canadian-style whiskies.  The only Canadian whisky we really enjoy comes from Forty Creek which is hardly Canadian-style despite meeting all the requirements to be called “Canadian Whisky.”  We are however, fans of Buffalo Trace Distillery on a level bordering religious zealotry.  So, we have to give these a try.  The two whiskies will be Caribou Crossing Single Barrel ($49.99) and Royal Canadian Small Batch ($29.99).  For the full press release and some pictures (including the ridiculously campy Caribou Crossing bottle), check out WDJK.  Some of you may have also noticed that Crown Royal announced a new expression recently (Crown Royal Black).  We will try that one at some point too.  I’m all for the idea of a bolder/richer Canadian whisky.  It certainly can’t get less bold…

Drink well, drink responsibly.

Matt

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Bourbon & Bacon Expo 2010

While Richard was at the Single Malt and Scotch Whisky Extravaganza in Atlanta, I was at the 2010 Bourbon and Bacon Expo at Astor Wines in New York City.  Last year the festival got some rather mixed reviews, so I was hoping the folks at Astor would use the criticism to make the event a little better.  There were plenty of changes, but I can’t say that it was all for the better.

There was plenty of good whiskey to drink (though nothing as premium as the Parker’s Heritage 27yo they were pouring last year).  There were nine tables pouring whiskey and/or cocktails, plus the additional cocktail pour in the classroom.

Hirsch was there pouring three of the A.H. Hirsch Selection whiskeys.  The Buffalo Trace table was pouring Eagle Rare 10 and the standard Buffalo Trace.  Maker’s Mark was pouring some bacon infused cocktails at the lounge bar, while bacon infused Old Fashions were served in the classroom (featuring Four Roses Yellow Label).  Although none of the Tuthilltown team was in attendance, cocktail-crafters/mixologists were pouring white dog Sazeracs made with locally produced ingredients including Edward III Manhattan Absinthe and Hudson New York Corn Whisky (both distilled at Tuthilltown), yum.  Other pours included Heaven Hill, Michter’s, Four Roses, Wild Turkey and Black Maple Hill.  Bacon presenters included Carlton Farms, The Breslin, Swiss Meat & Sausage Co., Broadbent’s, Flying Pigs Farm, D’Artagnan, Black Pig Meat Co., and Nueske’s.

This year the Expo was cheaper and the space was bigger, two big pluses in my book.  Astor center recently opened a lounge area with seating and a bar.  We showed up as the doors opened.  As people spread out and took advantage of the new layout, things felt less cramped than last year.  By the time we left, the entire space had filled to the same overcrowding that many of these events fall prey to.

Although one of the complaints from last year’s event was a lack of organization, this year was worse.  Like last year, there were whiskey tables and bacon tables.  There were no pairings as the marketing for the event suggested.  The whiskey tables had brand ambassadors leading the gathering masses through a selection of whiskeys while the bacon tables consisted of a descriptive title card and a platter of bacon cut into bite-sized chunks.  Since we showed up early, we managed to try all the porky offerings.  When we left, some 1.5 hours into the 3hour event, all the trays were empty and had been that way for at least 20 minutes.

At last year’s event, there was a charming hostess with a microphone that made sure everyone knew what was going on and where to go for classes and presentations.  There were no such announcements this time.  I wonder how many attendees even made it back to the classroom for the bacon-infused Old Fashions.  The marketing for the event mentioned a class on how to perform a bacon infusion, but if this happened, my party and I missed it.  When we went back for our Old Fashions there were very few people in the classroom.  If people didn’t know about it, they really missed out.  It’s like a country breakfast in a glass.

Now, on to what is important, the whiskey.  With so few whiskeys available, I was able to hit up every table without much risk of palate fatigue.  It’s all about pacing and knowing when to spit/dump.  The pours were rather generous, so people had to show some restraint.  The whiskey highlights for me included the Heaven Hill table.  I finally gave Evan Williams (the standard black label) a try.  Since a few unfortunate incidents, I have been gun shy when it comes to alcohol that you can purchase in a large plastic jug.  I was pleasantly surprised.  It’s the same mash bill as the more premium Elijah Craig, but spends less time in oak.  This gives it a much sweeter character without a lot of woody notes, definitely a worthy entry level or even every day dram.  While the Evan Williams is good, I am quite partial to the Elijah Craig 12yo.  At the Expo, they were pouring the EC 12 and 18 side by side.  I have to say, the 12 is my preference.  Something about the mash bill makes this whiskey take on oak really quickly.  That extra six years is overkill for my palate.  The Evan Williams Single Barrel (2000 I believe) was also on hand and quite good.

The Hirsch table was interesting.  With all the original Michter’s whiskey gone forever, Hirsch is bottling Hirsch Selection, a collection of whiskeys from across the U.S. bottled exclusively under the Hirsch name.  The Small Batch Bourbon from Kentucky that was sweet with a nice black pepper bite to it.  The aged (3yo?) Small Batch Corn Whiskey tasted like corn whiskey.  There was nothing really outstanding about it, but nothing unpleasant either.  It’s milder than some corn whiskeys but also less cereal in nature.  The 20yo American Whiskey is purported to be distilled in Illinois.  Since the only whiskey distillery that I know of in Illinois closed in the late 70’s, I wonder where this actually came from.  It certainly tastes like it could be from the Hiram Walker distillery, but that would make the spirit over thirty years old, unless it’s been sitting in a bottle in a warehouse for 12 years.  Maybe I’ll reach out to my contact at Preiss Imports and see if he will give me more information.

One of the whiskeys I was eager to try was the Black Maple Hill Small Batch Bourbon.  I don’t know much about this label, but it has always intrigued me.  The rep at the table was not very talkative.  I really wish there had been water at this table (it was the only table without a carafe).  This is high proof bourbon and without water, the alcohol really dominates both the nose and palate.  I probably should have sought out some water, but the aloof rep was not very inspiring.

That’s about it for my whiskey highlights, although I should mention that I decided I like the Four Roses Small Batch over the Single Barrel.  The bacon highlights for me were the Applewood-Smoked, Peppered Bacon from Neuske’s and the Wild Boar Bacon from D’Artagnan.  A couple of the folks in my party really enjoyed the Flying Pigs Farm Heritage Breed Bacon.  I really missed RUB’s pork belly from last year.  I still dream about that stuff.

Ultimately, I enjoyed myself and felt like I got my money’s worth.  They still have some stuff to work on though.  It would be nice to see reps at the bacon tables and have at least one table that offers specific pairings of the whiskeys and bacons on hand.  Clearly the teaching kitchen in Astor Center cannot handle the needs of this event.  I’m not sure how they could solve that problem, but it needs to be solved if they intend to continue this event.  Did I enjoy my self?  Yes.  Will I go next year?  Probably.  However, if the event is just like this year, I probably won’t go a fourth time.

-Matt

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Póg mo thóin and call me Paddy!

In honor of St. Patrick’s Day, I lead a tasting of Irish whiskeys last weekend.  Planning an event like this turned out more difficult than I expected.  With tasting classes on rye, bourbon, and single malt Scotch under my belt, I thought Irish would be a breeze.  There are only four distilleries to choose from after all.  Ah, there’s the rub.  Four distilleries, but dozens of styles and expressions.  How do I choose?  What makes something uniquely “Irish?”  John Hansell posed this very question on WDJK last week.  I’ll let you read through what his readers had to say.  Ultimately, it was decided that Irish whiskey is spirit distilled from grain and aged in oak for a minimum of three years within the confines of either the Republic of Ireland or Northern Ireland.  That is quite a broad definition to be sure.  All that you’ve heard about triple distillation, no peat, and pot still* are tradition not law.  Many people say that Cooley completely changed the game.  That’s true, but Midleton produces quite a variety of whiskeys themselves (pure pot stills, blends with and without pot still components, single malts, etc.)  Even the folks at Bushmills don’t stick to the “traditional” recipe of pot still + single malt = blend.  This was troubling because I wanted to pick very “Irish” whiskeys, while staying away from Bushmills White Label and stock standard Jameson.  You can see why I had difficulty coming up with a tasting menu.  With Richard’s help, here’s what I ended up with:

Bushmills 10yo Single Malt (Bushmills) – Using Irish barley, triple distilled and aged for at least 10 years in “mostly bourbon casks,” this whiskey felt very “Scotch-y” to many of us.  I was particularly reminded of Auchentoshen.

Redbreast 12yo (Midleton) – Arguably the most uniquely Irish selection, Redbreast is one of a very few pure pot still whiskeys commercially available.  Unanimously the favorite of the tasting, this dram was praised it’s unique character and liveliness.

Paddy Old Irish Whiskey (Midleton) – A favorite among the Irish in the audience, Paddy surprised many of us.  Many an Irishman cut his whiskey teeth on this one.  Paddy is composed of a high percentage of single malt and a small amount of pot still.  This gives it a malty, caramel character with just a few hints of the green barley poking trough.  Personally, I was impressed with the complexity this dram offers for the value ($35 for a liter).  Careful though, this one has a somewhat hot finish that turned some people off.

Tullamore Dew Blended Irish Whiskey (Midleton) – Tullamore Dew is a blend of single malt, pot still, and grain alcohol.  It is one of the smoothest whiskeys around.  Smooth, but not all that complex.  Those of us who grew up with it have a fondness for this easy drinking dram, but the rest of group wanted something a little more aggressive.

Greenore Single Grain Whiskey (Cooley) – Made completely out of corn, double distilled and aged in bourbon casks for eight years, its no surprise that Greenore tastes very much like bourbon.  I am particularly remind of some of the micro-distilled bourbons (I’m looking at you Tuthilltown).  Several attendees described this as fermented corn flakes.  It was kind of a toss up as to who thought that was a good thing.  I enjoyed it for what it was, but it’s not very Irish to taste like bourbon.

Connemara Peated (Cooley) – Ah, our only peated whiskey.  Some have called Cooley a Scotch distillery that happens to be in Ireland.  This dram is the source of that statement.  I feel the peat in this dram is overstated, creating a somewhat boring peat monster.  There is none of the complexity you will find in its Scottish cousins.  For the group, the peat freaks were mostly with me and the peat haters disliked this one immensely.

There you are, three of four distilleries represented (can’t get actual Kilbeggan yet as far as I know).  I predicted that everyone would fall in love with Redbreast and I was right.  I have yet to find someone who does not enjoy it.  The second most popular was harder to gauge.  I would say there was a pretty even spread.  I don’t know if we learned anything about Irish whiskey, but we did have a good time.

*Pot still whiskey is whiskey produced in a copper pot still from a mash of both green (unmalted) and malted barley.

-Matt

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