Gary’s Blog

Eravino Whiskey Decanter Globe Gift Set

Eravino Whiskey Decanter Globe Gift Set

$30-$70 (depending upon sales!)
Sold on Amazon (or other sites, availability may vary but try Groupon as well)
Eravino Whiskey Decanter Globe Gift Set
We would like to thank Benjamin Hopper and Eravino for sending us a sample to review.

What the Producer Says

The unique design is skillfully hand-blown with a ship inside. As you empty the decanter the ship emerges from the wine or liquor, creating a phenomenal effect. Our product is made to complement the rest of your modern tableware, like glasses, bowls, and plates. Features a hand-crafted wooden stand with 4-bar glass bases that acts as a coasters to prevent water marks. Beautifully carved with an elegant and natural shape that compliments your home decors.

HIGH QUALITY: 100% handmade and high quality 100% Lead Free Crystal Glass that provides a brilliant, colorless finish that allows for the true color of wine to be fully appreciated. Crafted out of fine crystal for timeless shine and durability.

FOR ALL OCCASIONS: An excellent conversation piece for any occasion. It is capable of holding just the right amount of your favorite wine for a small get together with friends. Each one is handmade from the finest, completely lead-free glass. One set features 1 large Globe Whisky Decanter with a capacity to hold up to 850ml of liquid and 4 elegant glasses.

AUTHENTIC HAND- BLOWN GLASS: Made of lead-free crystal crafted by skilled artisans with an expert hand and an eye for quality. You literally taste the history and feel precision workmanship in the palm of your hands. The unique design is skillfully hand-blown with a ship inside. As you empty the decanter the ship emerges from the wine or liquor, creating a phenomenal effect.

PRESERVE FRESHNESS: Features a fitted glass stopper that seals the decanter, ideal in keeping the freshness of your favorite beverage while in storage to stay on its aromatic and flavorful state.

THE PERFECT GIFT: For those who have everything, you need a gift they don’t have. This is probably it. Offer them this stunning wine accessory and put a wide smile on their face! Perfect gift for wine enthusiasts, lovers and collectors, whether it’s for Anniversary, Birthday, Mother’s day, Christmas, or any other holiday. That is truly timeless provide an understated simplicity on the table.

What Gary Says

Decanter sets like this are about decoration primarily. Obviously if you don’t like ships, you likely wouldn’t want this particular set. When asked if I would be interested in reviewing a decanter set, I made it clear that my focus would be on the function (as well as overall impressions). I shared that I’ve seen some decanters that are lovely to look at, and a complete pain in the ass to actually pour whisk(e)y from – and I’d hate to find that was the case.

The decanter itself is pretty lightweight – coming in just over 7 ounces. A standard 750 mL bottle (like Rittenhouse Rye Bottled in Bond for example) is double that at 14 ounces, and a hefty decanter-style bottle like the recently discontinued Wild Turkey Kentucky Spirit bottle comes in at 26 ounces. My point is that 7 ounces is pretty darn light, which has its pros and cons. In the pros column, that it makes it easier to handle when full of whisk(e)y. In the cons columns, it likely wouldn’t survive being dropped. To be fair – I expect the same is true of most display pieces like this, so I don’t really consider that to be a negative.

When setup, the entire set takes up about 8.5 inches cubed (one side is slightly shorter than that, like 8.25 inches). That’s fairly compact, which I’d consider a plus. It lists the capacity as 850 mL, and I wanted to see how it took that.  I cracked open a brand new Early Times Bottled in Bond, which comes in a 1 liter bottle, and measured out just over 800 mL.  Below is an image showing the decanter ‘not quite full’.

You can see where the liquid is starting up the neck – and more importantly – you can’t really see the ship when it is full!  I poured about half back into the bottle, and you can see how the ship ’emerges’ from the depths below.

If this will be ‘more display than pouring’, I’d recommend filling it more like 250-350 mL (about what is shown in their marketing images) to showcase the ship – although as a lot of volume will then be exposed to air, the flavor may alter in time.

The decanter itself is wide enough that I can’t grab it with one hand with confidence (don’t quite get half-way around it).  I mean – I could grab it, but I wouldn’t want to have it slip out of my hands.  I found it was better to lift it from the neck – although when in the stand, there wasn’t quite enough room to get a finger completely around the neck.

Not a big deal – just used the stopper to tilt it up a bit to get a handle on the neck. Once held, the stem at the base of the decanter fit nicely between two fingers, and I didn’t have any issues pouring – although it pours better when less full. Speaking of pouring – as with any bottle (not just decanters) you have to be careful of your pouring angle.  To illustrate (note I’m not wasting whisk(e)y here!) I tilted it up too much, and the gurgling along with the flared lip just makes a mess.

While the flared lip makes the result a bit more messy, this is just physics and you get a similar mess with almost any bottle.  You have to start slowly and ensure you’re allowing air to pass through the neck to displace the liquid.  Below illustrates that this pours perfectly fine when you do it properly.

All in all, it is a perfectly serviceable decanter, and does what it is supposed to do.  My wife has forgotten more about glass than I’ll ever learn, and she thought it was fairly well done in terms of the execution of the blown-glass decanter.  My main concern would be that if I wanted to have it showcase the ship while on display, I’d need to keep it less than half-full.  If I’m pouring from it regularly (and just replacing that small amount), no big deal.  But if I have it more for display, over time the whisk(e) may deteriorate.  That said, you may want to have it full while on display in order to showcase the ship emerging at a get together where you’re pouring for friends and family.

If you’re looking for just the decanter and stand, and don’t care for the additional glassware, they are sold by themselves for $40.

While I drink my fair share of whisk(e)y, I’ve only ever had a couple of decanters – so if you are a decanter connoisseur and have questions I didn’t answer or think about, please email me and let me know!  Be happy to amend this review (provided I still have the decanter).

Cheers!

Gary

Eravino Whiskey Decanter Globe Gift Set Read More »

The Glenlivet ‘Capsule Collection’

Think ‘Scotch Pods’ ala Tide Pods (but to be clear, these are ‘Scotch Cocktails’ – not only whisky).
The Glenlivet Capsule Collection

Or don’t.  Really.  Don’t think about it.

When I saw this posted on Twitter, I thought for certain it had to be a gag.  Not until seeing the actual posting on Pernod-Ricard.com did I accept that “this is not a joke” (although I believe that is still debatable).

Don’t get me wrong – I love innovation in whisk(e)y.  Whether it’s Maker’s Mark inserting staves, or Compass Box doing . . .well, what they do – I applaud folks for looking for new and interesting ways to unlock flavors and develop new products.

But this . . . no.

For starters, pretty much every whisk(e)y drink I know doesn’t take a 23 ml “sip” all at once (which is roughly 3/4 of an ounce, or half a shot).  And it isn’t just the size – this eliminates anyone being able to add water, or ice, or do . . . anything beyond simply swallowing it.

I’m curious what market research suggested that folks would be interested in this sorta thing.  I could see this delivery mechanism for things like soda (or as my Yankee family would call it – ‘pop’), or for parties having Vodka jello-shots in this type of package (although I do not condone ‘rapid alcohol consumption’ vehicles).  But the whole premise seems to lack understanding about what whisk(e)y drinkers (at least the ones I’ve spoken to) are looking for in their whisk(e)y enjoyment experience.

Sometimes innovation means something that is . . . well . . .  this.

Cheers!
Gary

UPDATE:  Readers pointed out that the capsules themselves are a cocktail (not just whisk(e)y), which is better . . . although I’m still not a fan.  

The Glenlivet ‘Capsule Collection’ Read More »

Macallan 12 vs Classic Cut 2018 vs Cask Strength

Macallan 12 vs Classic Cut 2018 (diluted to 40% ABV) vs Cask Strength (diluted to 40% ABV)

After reviewing The Macallan Classic Cut 2018 and The Macallan Cask Strength – both of which are non-age stated – I pondered how these would compare with The Macallan 12 yr if I brought them both down to the same 40% ABV.

I carefully measured out the whisky and appropriate water amount, thinking I might be able to do this as a blind side-by-side-by-side. It was clear that I’d have to actually be blind to not tell the difference, as visually the differences were stark.
Macallan Cask Strength vs 12 vs Classic Cut 2018 at 80 proof
The above image doesn’t quite do it justice, but is close. What you’re seeing above from left to right is The Macallan Cask Strength (60.1% originally), The Macallan 12 yr (40%), and The Macallan Classic Cut 2018 (51.2% originally). After bringing the outside ones down to 40%, it was clear that the Cask Strength likely has older whisky than 12 yrs, while the Classic Cut likely has younger whisky. Age and color aren’t linear, and there are some light colored whiskies that are amazing – so let’s not dwell on the color. The picture doesn’t show how much the Classic Cut clouded up (much more so than the Cask Strength).

The Macallan 12yr Sherry Oak

40% ABV (same as bottled strength)
Color: Amber, crisp & coppery.
Nose: Dark fruit, plums, raisins, musky oak.
Palate: Sherried fruit, slight pepper spice with some savory herbal notes in the back.
Finish: Moderate in length, drying with dark fruit and trailing pepper spice.
Comments: A perfectly fine single malt, and a great baseline of comparison for other Macallan expressions.

The Macallan Classic Cut 2018

40% ABV (brought down from bottled strength of 51.2% ABV)
Color: Yellow, natural honey; quite cloudy.
Nose: Fruity, with apricots and figs, little oak and orange candies.
Palate: Less sweet, more herbal with toned down stewed dark fruit.
Finish: Shorter, with trailing spice notes.
Comments: At 40%, this is pretty disappointing. My guess is that this is much younger than 12 yrs old, or aged in different wood, or aged in much different areas of the rickhouse. That said, you can’t take Macallan 12 and ‘up the proof’ – or said another way, the whisky in this bottle wasn’t necessarily intended to shine at this proof.

The Macallan Classic Cask Strength

40% ABV (brought down from bottled strength of 60.1% ABV)
Color: Still dark, brown brick with deep red tones, cloudy.
Nose: Rich, dark fruits with tobacco and hints of leather (like Macallan 12 but turned up another notch or three).
Palate: Sherried fruit, oak, pepper spice with smoke.
Finish: Moderate to long with drying cigar paper and hints of raisins.
Comments: While this had the most water added, it remained the darkest (although didn’t cloud up as much as the Classic Cut, which I found interesting). This was the one I enjoyed the most at this proof, although I won’t dilute what I have left of this lovely whisky to 40% (I enjoy it more at something closer to the bottle strength). It remains rich and complex, with depth and balance that sets it apart from the other two. I would conclude that this is a older than the 12 yr, and possibly matured differently (either different locations or different wood). Either way, it is freaking delicious.

Macallan 12 vs Classic Cut 2018 vs Cask Strength Read More »

Thoughts on Proposed TTB Rule Changes

From time to time, the TTB (or Alcohol and Tobacco Tax and Trade Bureau within the Department of the Treasury) proposes rule changes, and they’ll post these on-line and allow a period of public comment.  I’ll be the first to admit that searching out proposed changes to government regulation isn’t what I enjoy doing with my spare time.  Thankfully the fine folks at WhiskeyCast did a great summary on a recent proposed change that did catch my attention – which is the proposed change to eliminate all but the minimum and maximum standards for containers sizes for distilled spirits.

When I first discovered Scotch and gained an appreciation for this concept of ‘independent bottlers’, I was immediately energized by the possibilities.  These small companies (ok, some not so small) can purchase barrels of whisky, do what they want with it (including unique finishes, etc), and bottle it – sometimes mentioning the source distillery, sometimes having to imply the source.  As a consumer, it opens up a huge world of different options.  If your’e unfamiliar with this concept, let me give you an example:

Let’s say your favorite single malt is Laphroaig.  You’ve tried most of their lineup and have enjoyed most of what you’ve tried.  In the US, you’re limited to a handful of options (10 yr, 10 yr Cask Strength, 18 yr, Lore, Select, Quarter Cask, Cairdeas and a few others).  Now picture this . . . someone asks if you’ve ever wanted to try Laphroaig with a sherry cask finish?  Or maybe a port cask finish?  Oh – and picture that it will be non-chill filtered, natural color, and at cask strength?  All of these are possibilities thanks to independent bottlers, who can take a chance on a single cask with doing something unique/different.  Don’t get me wrong – these are exceptions (there are plenty of independent bottlings that are along the lines of “Laphroaig 13 yr, 46%, NCF” – although you might get that for barely more than the 10yr (as the independent bottlers don’t have the same marketing overhead, etc).

My excitement over this ‘discovery’ (as in, discover for me; this is hardly new and has been a practice in the UK for generations) was almost as quickly squashed when I learned how few of those ever make it to the United States due to our regulations regarding “standards of fill”.

Today in the United States, distilled spirits can only be packaged in specific size containers (50 mL, 100 mL, 200 mL, 375 mL, 750mL, 1 liter, and 1.75 liters).  I wasn’t aware of other container sizes until touring Jim Beam many years ago and seeing the ‘quality control’ stock area which included 4.5 liter bottles (the tour guide explained that some export markets allowed larger and different sized bottles).  After trying some single malt Scotch that was independently bottled and sold overseas, I was disappointed that I may never have the opportunity to try some of these gems.  Why?  The similar standards for the European market (and really for most if not all of the rest of the world) are different – where the ‘standard’ bottle there is 700 ml vs our 750 ml.

Why don’t they just bottle in 750 ml?  I mean – they can, and some certainly do.  But it is a production burden to have one size for one market.  If you’re moving products through the rest of the world, why go through the trouble of buying bottles and making new labels for one market like the United States?  (the answer for some is that we’re a fairly large market, and have a lot more disposable income than others)

I did write my Congressman when I learned of this injustice, and got the prompt “Thank you for your letter, your concerns are really important to me . . . ” form response letter, and just wrote this off as one of those disappointing realities.  While the lifting of such restrictions would potentially be great for me as a whisk(e)y geek, I get it that these were offering some ‘protection’ to domestic producers (although it isn’t like anyone in the US can make Scotch, or anyone in Scotch can make Bourbon . . . so I never fully bought that argument – at least when it came to whisk(e)y).

“So this is awesome news, right?  No downside, right?”

Well . . . not exactly.  There is absolutely a risk that domestic producers like Jim Beam, Buffalo Trace, Wild Turkey, etc will decide “Good – let’s scrap these 750 mL bottles and just do everything as 700 mL without changing the prices from the 750 mL!”  Let’s face it – they’re selling their products overseas, and having to have different setups for the bottle sizes, so this creates an opportunity for efficiency – and I ABSOLUTELY expect that they’ll change to 700 mL.  What I don’t know is whether they will give American consumers the benefit of being good at math (in their defense, there’s a lot of evidence that we’re not so great at math collectively, or rather that we don’t apply it when purchasing whisk(e)y) and reduce their prices by the 9% of whisk(e)y they’d be shorting us if they bottle at 700 mL but still sell at the 750 mL price.

Let me be clear – this is NOT just up to the producers.  There are distributors and resellers (because of some OTHER goofy regulations requiring this three-tiered system we have – another soapbox for another day) in the mix.  A reseller may decide to just pocket any cost savings and not reprice a damn thing.  Prices have been going up pretty much across the board when it comes to bourbon and rye; some more than others.

My thoughts?  I’d prefer to have the opportunity to buy a wider variety of spirits that this change would enable.  If local producers take advantage, maybe I’ll buy more Scotch and bourbon.  At the end of the day, competition will address that – or it won’t.  But as a lover of variety, I’m in favor of the change.

What are your thoughts?  Feel free to share them in the comments.  Oh – and if you are so inclined, you can submit a comment to the TTB until August 30th (here’s the link with the proposed change, and option to comment).

Cheers!
Gary

Thoughts on Proposed TTB Rule Changes Read More »

Old Forester Distillery Tour

Old Forester Distillery sign

Old Forester Distilling Co.

119 W Main St, Louisville, KY 40202
Website

I’ve toured all of the major distilleries in Kentucky that offer public tours (many of which aren’t right by a major city), so was excited when Brown-Forman opened the Old Forester Distillery in downtown Louisville in June 2018. No, this isn’t where all of the Old Forester on the shelves is being made, but it is much more than a micro-still.

They offer many different tours, although I have to admit I was disappointed when reviewing them on their website. I would have loved to have done their ‘Taste Through History’ tour – except when looking at availability – there were only four days (yes, FOUR) in the remainder of 2019 when it was being offered – and we weren’t going to be in Louisville on those days. (NOTE: a month after our visit, I had the opportunity to attend a ‘Taste Through History‘ event in Atlanta with Master Taster Jackie Zykan – and that was all it was cracked up to be!  While she couldn’t facilitate these on a regular basis at the distillery, I hope they consider having alternatives offer this more frequently there!)

They also offered a ‘119 Tour’ . . . or at least talk about it on their website (there are no upcoming dates as of this writing, and were none a month earlier when I was booking my tour). All of that disappointment aside, we made reservations (which they strongly encourage) for the basic ‘Old Forester Distillery Tour’. These tours are offered every 15 minutes during the available hours (last tour begins an hour before they close). The price is $16 per person on Tues-Sat, and $12 per on Sunday and Monday ($4 off for minors, active duty military, and vets; $2 off for seniors).

I booked for a 4:15pm tour on a Friday in late April for my father and I. This was to be our last stop after doing three tours earlier (some actual distillery tours, some ‘experience’ tours; will share details later). We’d been on our feet since 9:30am, aside from some drive time and sitting. All that said, we were excited as we’re both fans of Old Forester’s products. We arrived a bit early, and they were able to squeeze us into the 4pm tour with no trouble, which we appreciated.

You start out with the tour guide providing some history of the building, and of bourbon in America in general (reminding us of the horrors of prohibition, etc) before starting a short but informative video. After this, you’re ushered into the next room where they explain the basics of bourbon (51% corn, new charred oak containers, etc) and tout the limestone filtered water of Kentucky. They explain the grains used (their mashbill is 72% corn, 18% rye, 10% barley) and how the process extracts sugars from the grain to be fermented into alcohol.

Next you walk up to their four fermenters, each with mash at different ages allowing the guests to smell how a 3 day old mash fermenting smells more like a sour dough bread compared to a newly started mash, which is a more sweet cereal aroma. They explain the process, how coils help maintain the temperature to keep the yeast happy, how the activity you see is really the carbon dioxide being produced, and so forth.

Following this you’re taken to a glass elevator and ride up directly behind their 44-foot copper column still as they begin to explain the process of distillation. You exit the elevator and walk around to where if the still was running you’d see the spirit coming off, and where quality control can check the proof (which their target proof for the heart of the run is 140 proof). During our tour the still wasn’t running, but I’ve seen new make before, so this wasn’t a big deal for me. The still has a capacity far beyond what they’re running through it (currently they’re filling up to 14 barrels a day when running). They explain the cuts (heads, tails, etc) and why that’s all necessary, and then turn to the on-site cooperage.

This is where the Old Forester distillery tour is significantly different from the other urban distilleries (and frankly, even most major distilleries). If you tour Heaven Hill, Jim Beam, Buffalo Trace, Wild Turkey, Four Roses, Maker’s Mark, or Barton – you won’t see barrels being produced as they purchase barrels from a cooperage (which if you ever have an opportunity to tour Independent Stave’s Kentucky Cooperage in Lebanon, KY – I’d recommend it!) Note that this is not a critque of those fine distilleries; just a fact.  Historically it wasn’t such a great idea to have an industrial process that involves firing wood next to an industrial process producing highly flammable spirits (or aging those same spirits!)  But if you’ve never seen how a barrel is made, the Old Forester Distillery Tour gives you that opportunity.

(This is only a portion, not showing barrel assembly or toasting)

Their limited capacity allows them to construct 14 barrels a day, so you won’t see every stage ‘in action’. But they leave a barrel at each stage so you’re not looking at an empty station, and the tour guide can step you through what is being done from assembly, to toasting, to firing, and so forth. Their web-site states that “One member of each tour group will activate the charring process by ‘igniting’ the inside of a new, white oak barrel.”, and I don’t doubt this claim – although it does raise a question as to whether they re-char the same barrel, or are bringing in extra barrels to be charred (as there are more than 14 tours a day). Regardless, it is pretty freaking cool to see, and smell.

After the cooperage portion, you’re escorted through a visualization of how much color the spirit takes on in the wood over time, which is a nice segue as you enter their ‘urban rickhouse’. While you do get some of the aroma, it isn’t the same as walking into a traditional rickhouse. This is climate controlled, and only holds 800-900 barrels. They’re producing more than that on-site, so some of the filled barrels are taken to other rickhouses (or rackhouses if you prefer), while some are kept here. This allows them to experiment with how climate control impacts the same distillate over a period of time, besides providing a nice tour experience. They explain a bit about how factors involved in maturation (higher temps in the higher ricks and such), and step you through the dumping and filtration process.

Next you see the bottling line, which again may or may not be running during your tour but shows that final step in the process before the tasting. The standard tour includes fairly standard pours to taste. Ours included Old Forester 86 proof, Old Forester Statesman, and Old Forester Signature 100 proof (whose label no longer calls out “Signature”, but bygones). I’d had all three before, but the tasting was well organized with all three presented in Glencairn nosing glasses with a glass of water and some pretzels for each taster, along with a small water dropper. Our tour guide (Sarah, who by the way did an excellent job; one of the better distillery tours I’d been on) walked everyone through how to nose whiskey (keeping your mouth slightly opened), and how just 3 drops of water can open up a whiskey.

After the tasting, you’re taken through the gift shop (of course!) although this gives you an up close and personal look at their column still.  On a lovely day like we had, the blue sky really makes for a lovely view.

All things considered, I’d highly recommend their tour.  There are several tours or ‘experiences’ in Louisville (and I’ll work on providing write-ups on those in the future), but I found this to be the most comprehensive by far.  If someone who isn’t a whisk(e)y geek and only wanted to visit ONE of these during a trip to the city, hands down this would be the one I’d go with.

Cheers!
Gary

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