Richard’s Blog

Fad Focus 3 – Barrel/Cask Strength

It’s that time again. It’s time for me to highlight another growing fad or trend within the whiskey industry. We’ve discuss rampant peating levels of scotch and the explosion of wood finishes across the industry. Today I want to talk about strength. Not strength of character but rather the alcohol strength at which whiskeys are bottled.The level of alcohol content in a bottle of whiskey is measured in one of two ways. The most straightforward is using “ABV” or “alcohol by volume” measures. If a whiskey states that it is 43% ABV that means that 43% of the liquid content of that bottle at the time of bottling is alcohol. What’s the rest? Mostly water.

“Well then, what’s this ‘proof’ I see on some of the bottle?”

The term “proof” comes from 18th century Great Britain. The idea being that a “proof spirit” was the minimum level of alcohol in a particular spirit that would sustain combustion of gunpowder. The term originated when the rations of rum to sailors were “proofed” by seeing if gunpowder would still light when doused with the rum. This made sure the rum wasn’t watered down. In today’s terms the proof of particular spirits is twice the alcohol by volume. For example, a 90 proof spirit contains 45% ABV.

Originally, whiskey was sold by the barrel. You’d go to your local merchant and fill up your bottles from the barrel. The whiskey you get then was always barrel strength. (Unless the merchant water it down!) Over time distilleries and merchants began bottling the whiskey themselves. For the larger part of the 20th century whiskeys on both sides of the Atlantic were commercially bottled near 40% ABV. Mostly because this was the minimum legal alcohol content allowed if you wanted to call your product whiskey. If you’re trying to maximize your profits then you want the least amount of alcohol in the bottle as possible. That way the alcohol coming out of your barrels will go farther, thus allowing you to sell more bottles and make more money. There were some obvious exceptions to this. Wild Turkey 101 is probably the most well known.

In the last 15 years or so we’ve seen this trend change. More and more bourbon, and scotch distilleries are bottling at higher and higher strengths. They’ve determined that the flavor profile loses something in the process of watering down. This varies by whiskey. Some lend themselves more to higher strengths than others. The most prevalent example in my mind is George T. Stagg. Stagg is an uncut and unfiltered barrel proof bourbon that is part of Buffalo Trace’s annual Antique Collection releases. It’s never hit the bottle at less than 64% ABV. Despite the high alcohol content this stuff is scary smooth. Matt bought a bottle of Stagg for me a few years back and he, my wife, and I dusted off half the bottle that night. It didn’t seem like much at the time but the next morning we were all feeling it.

While Stagg is quite wonderful, if you look at the numbers, it can be pretty scary. The lowest proof release was in 2004 at 129 proof/64.5% ABV. There have been four releases that topped 70% ABV. These were referred to as “Hazmat” releases. They were called this because anything 70% ABV or higher can’t legally be brought on commercial flights and is deemed Hazardous Materials. The Hazmat releases culminated n the 2007 Hazmat IV release. It was bottled at a whopping 144.8 proof/72.4% ABV. That’ll wake you up!

Unfortunately, not all whiskey is George T. Stagg. I’ve found none that are as smooth at that strength. In my opinion, bourbon tends to hold up better at higher proofs than other whiskeys. Scotch, Irish, and Japanese seem too subtle and delicate of flavor and balance in most cases to drink above 50% ABV. So what do you do? You add water. Which really gets us back to the 40% or so ABV that the whiskey used to be bottled at. There’s nothing wrong with bottling at 40% to 43% ABV. Some of my favorite whiskeys are bottled in that range.

There are arguments both ways. On the one hand I like being able to pour something from the bottle and drink it. I don’t like having to monkey around with water to get it to an enjoyable balance. On the other hand, you get more for your money when you buy at higher strengths. The whiskey lasts longer.

Then there are those that want it at cask or barrel proof for the “purity of the spirit”. The easiest example I can think of the Scotch Malt Whisky Society. They buy and store their own barrels and always bottle uncut and unfiltered for their members. More power to them. It’s just not my thing.

It’s really up to you to decide what you prefer. If you like to drink it from the pour like me, then the ever escalating proof can be annoying. If you want the value or the barrel purity then it’s a boon for you. Either way, you should drink, enjoy, and proselytize.

Slainte,

Richard

Fad Focus 3 – Barrel/Cask Strength Read More »

Lost apostles?

Some of you may be thinking…”Aren’t there two guys that run this site?” 

Yes, you are correct.  I’ve been pretty derilict in my duties lately.  Matt has been picking up my slack admirably but I’m way overdue for some contributions.  I’ve got a few blogs on tap that I hope to post soon.

But what about the other missing apostles?  Confused?  I’m talking about all of you out there.  Matt and I run this site for the love of the dram but we’d also like to know that we’re being helpful, informative, amusing, or whatever.  To do that we need feedback from the readers.  We’ve got a few enhancements and resources in mind for Whisk(e)yApostle.com but we’re always brainstorming for new stuff.  What do you folks like?  Dislike?  What types of resources and content would you like to see added? 

Drop us a line.  Comments to the posts or emails directly to us are always welcome.  Let us know what you think.

– Richard

Lost apostles? Read More »

The Beating of the Blend: Artist vs. Craftsman

I generally try to be diplomatic about whiskey on Whisk(e)y Apostle. I think that if you have a website providing something resembling educational or informational content then it’s only good form to be as nonpartisan as possible and clearly state that something is your opinion when it is so and not speak in absolutes.

Today I’m going to break ranks with that and say the typical American single malt drinker is (notice the definitive verb there) a snobbish idiot. There…I said it. I’ve been thinking it for a long time. I just couldn’t keep it bottled up inside any longer. “But aren’t you an American single malt drinker?” you may ask. Yes I am. And I went through a phase of this a number of years back. It was when I was trying cigars, drinking more single malt, and generally thinking I was more sophisticated than I really was. In short, I was an idiot.

So why am I bringing this up now? Well, it’s something that’s been on my mind for some time. What finally sent me over the edge was a post I saw on a forum that I’m a member of. This question was posted:

“Do you guys ever drink single malt scotch on the rocks or do you consider the very idea an affront to all that is good, decent, and proper about whisky?”

Granted that’s a loaded question but there are gentlemen on that forum with good taste in liquid libations so I was curious to see the responses. What followed were general answers like this:

“Single Malts on the rocks is indeed a waste of money. If you want to drink it on the rocks, save money and buy Blended.”

“Honestly, you’re just throwing money away….And as much as that sounds like liquor-snob posturing and “look how macho I am, drinking my whisky straight from the bottle,” I’m really not trying to be. There are some fine blended whiskeys out there that go well on the rocks, and I drink them too.”

These responses annoyed me on two fronts. First, as we say here over and over again, drink it how you like. No one else’s opinion (and it is an opinion, not some mandate from God) matters. I understand the points made in the prior example. Yes chilling the whisky numbs out some of the flavors. But so does not adding water. As long as the water is room temperature it will open up flavors and aromas that you can’t fully appreciate at bottle strength. Do I like mine with water? No. I don’t like it with ice either but we’re not talking about my drink. We’re talking about yours. You’re buying it. You’re drinking it. You get to have it however you want.

But what really bothered me was the left handed slight toward blended scotch. I can’t tell you how many times I hear people rattling on about the superiority of single malts versus blends. “Oh blends are where you start. Once you’re ready to really appreciate scotch try single malts.” “Blends just don’t have the flavor or complexity of good single malt.” And on and on and on. It’s a pile a crap. Just because YOU don’t like blends doesn’t make them inferior. You just don’t like them. That’s your opinion not a fact.

Are there crappy blends out there? Sure, but there are just as many crappy single malts too. It’s not like I’m measuring Dewar’s Signature against Big Al MacLeod’s discount malt. There are plenty of single malts out there far inferior to regular blends like Johnnie Walker Black.

Truth be told it takes as much if not more skill to make quality blends than it does to make good single malt. It may take different skills maybe but not fewer skills. You have be able to source and pull together dozens of different single malt and grain whiskies into a solid uniform piece, balancing and marrying flavors into cohesion. Is it hard to play the trumpet? Yes. Is it less impressive to pull together an entire symphony? I don’t think so.

I think of it like this: The master distiller is the true craftsman, but the master blender is the true artist. Are either the artist or craftsman lacking in skill, talent, or focus? Of course not, they just create differently. The blender is the symphony conductor pulling together all the pieces and parts into what you hold in your hand. They are taking all the different instruments and making something greater than the sum of its parts. Think about that the next you try a blended scotch.

Slainte,
Richard

The Beating of the Blend: Artist vs. Craftsman Read More »

How did you find whiskey?

I was thinking the other day about how I ended up as a whiskey enthusiast. From there I started thinking back to the founding moments on my journey toward whiskey. The more I thought about it the more I thought that it would make an interesting topic for my next blog. And since turnabout is fair play I figured I’d rope Matt into chiming in on this one too after his “The Best” blog pulled me in for comments.

Richard’s Story:
For me whiskey began with a series of unfortunate events. The first such event was a long time ago and it didn’t begin well. I think I was around 14 years old when I took a nip of my dad’s bottle of Crown Royal. You have to understand that the old man drank Budweiser and Boone’s Farm Strawberry Hill on regular occasions so to him the Crown Royal was a special drink. He used to keep it in the little cabinet above the refrigerator. One evening when no one else was home I thought I’d take a bit a little swig. The taste was absolutely awful and it was everything I could do not to spit it out or gag. It went down like bathwater and fire. You may be a big fan of Crown and I‘m not knocking it but to this day I still don’t drink it. Some memories never fade.

The next two incidents had a similar result. The first was my high school girlfriend and I sneaking some of her mom’s Dewar’s. The second was my junior year of college. I had an older roommate who was a big fan of J&B with water. To this day I still don’t drink J&B but Dewar’s has grown on me.

I finally turned the corner right after I finished college. My friend Matt (yes the W.A. Matt) came down from UGA to see me in Atlanta. We stopped in at the liquor store and he talked me into a bottle of Bushmills White Label. From the first sip I was hooked. Matt headed off to Wales for a semester abroad and I dove headlong into researching whiskeys of all varieties. We conversed back and forth and usually it started something like…”if you come across something called Redbreast, you’ve got to bring me some back” which was prior to it being available in the U.S. of course. By the time Matt got back I was hooked, both from a flavor perspective and intellectually. One of my favorite past times continues to be research and knowledge gathering of all things whiskey related.

Matt’s Story:
I don’t know that my whiskey story is all that interesting (at least the one I can tell in mixed company). The short of it is that I didn’t like beer (I’m over that now). I used to go to parties where beer was about the only option. Feeling the need to be drinking something, but not willing to drink something I don’t enjoy, I started looking for a hard liquor option. The first alcoholic beverage that I enjoyed was Southern Comfort (a whiskey liqueur). From there I moved to three of the “Four Js” (Jameson, Jack Daniels, and Jim Beam). Later, I met a madman from Montana who turned me onto some other Irish whiskeys (namely Bushmills and Tullamore Dew). So I called myself an Irish whiskey drinker for a while. I introduced Richard to my way and went off to the University of Wales to discover how deep the well really was. While on Easter holiday, I took to opportunity to visit several distilleries across the U.K. and spent one long morning tasting whiskies and whiskeys with the owner of Royal Mile Whiskies in Edinburgh (go there if you get the chance). The whole experience was very enlightening and deepened my love and understanding for the water of life. When I came home, Richard and I started developing our philosophy and became whisk(e)y apostles.

Ultimately, I liked the way my body handled whiskey and I liked the ritual of it. There is myth and mystique to whiskey. Things like that have always intrigued me. Of course, I have always liked the taste as well. I’ve never been into shots (if you have to shoot it, you shouldn’t drink it). I like to nurse a beverage. Whiskey can mellow a man or it can give him grand thoughts, thoughts of sitting around a camp fire conversing with the old gods. So join me, Richard, Lugh and Arawn. Raise a glass to your health, to all that is knowable and that which is not.

Gary’s Story:
I’ve never really enjoyed beer, although I would drink it to be social. One day I realized this was silly. I don’t recall where/how/when I first tried Crown Royal, but for many years – that was my drink. A shot of Crown (as I didn’t know you could order whiskey any other way, outside of in Coke), with a Diet Coke back. My Dad brought me a bottle of Jack Daniel’s Single Barrel that he got from the distillery, and I really enjoyed that. Then one year he brought me a bottle of Buffalo Trace – which I’d never heard of. They had stopped by the distillery on their way to visit us (from Michigan to Georgia), and I was hooked. My grandfather was born in Kentucky, so it felt like there was a family connection to bourbon. I started to try new bourbons, and Elmer T Lee became my favorite (this was in 2009, when almost everyone I met or talked with had never heard of it). I splurged on a bottle of Bookers in 2010, and didn’t like it; was way too hot for me, so I put it in the back of my cabinet (with all of 3-5 bottles). I had tried Scotch somewhere along the way (probably Johnnie Walker Red) and didn’t like it, so had never revisited it.

October 15th, 2010 was a key date in my whiskey journey. I attended “The Great Whiskey Debate” at the International Food & Wine Festival in Epcot Center. It included Simon Brooking (Laphroaig), Bernie Lubbers (Beam), and Dan Tullio (Canadian Club). They each waxed poetic about why their style of whiskey (Scotch, Bourbon, Canadian) was superior – and we all got to taste some of each. Laphroaig 10 yr was the first scotch I loved. I thought for sure I would pick the Knob Creek since I was a “bourbon guy”, but Laphroaig challenged my notion of what whiskey/whisky was, and what it could be. It was so unlike anything I’d ever tasted before – I was hooked. I bought a bottle when we got home, and couldn’t wait to share it with my Dad. I still loved bourbon, but that opened my mind to try new things. In 2011 my Dad and I spent several days and hit many distilleries in Kentucky (Wild Turkey, Woodford Reserve, Buffalo Trace, Four Roses, Barton, Maker’s Mark, and Heaven Hill). We also not only sampled from the various distilleries, but in Bardstown attended a place where you could taste some premium bourbons like William Larue Weller and George T. Stagg. I couldn’t imagine spending $75 for a bottle of one of these, as I had read about them on-line, but after trying them – I understood.

While at that point I had found whiskey, it was my thirst for knowing more about it that led me to this blog, which I owe for many friendships and great memories.

So that’s a little insight into how your Whisk(e)y Apostles started down this ever burgeoning path to liquid nirvana. We’d love to hear your stories about how your journey began either via email or in the comments section of this blog.

How did you find whiskey? Read More »

Fad Focus #2: Wood Finishes

Today I want to talk about the next part of my multi-part series on the notable fads in whiskey today. I started this series a couple of weeks ago talking about the growing levels of peat used in whiskey production. Today I want to talk about wood finishing.

What is wood finishing you ask? Wood finishing is the process of taking mature whiskey from its aging barrel and putting it into another barrel, hogshead, etc. to impart additional characteristics on the whiskey beyond its normal profile. Barrels that previously held different wines and other spirit are used to varying degrees of success to add some part or character of the barrel’s prior occupant to the new whiskey. Port barrels can add color. Rum barrels can add sweetness. Some of the previously seen variations include Burgundy, Bordeaux, Tokaji, sherry, port, rum, etc.

Glenmorangie was one of the first major pioneers of this technique. They originally came out with a range of 12 year old single malt scotches that included finishes in sherry, port, and burgundy wood among others. Many distilleries, mostly scotch distilleries picked up on this trend as a way to offer new and different varieties of their spirits in a relatively quick amount of time. Remember, for scotch most of their product doesn’t see the light of day for at least 10 years. That’s a long lead time for innovation. Whiskey can be wood finished for any amount of time from around 6 months to 6 years or more. Glenmorangie’s wood finished range spent 10 years as regular Glenmorangie and then spent another two years in wood finishing. Even in their case two years is a lot quicker turn around than ten.

How did all this innovation and creativity turn out? Originally, not too bad. There were and still are a number of products that really did well with wood finishing. One of my personal favorites is the 21 year old Glenfiddich Havana Reserve which was finished in Havana Rum casks. Mmm..tasty stuff. But as with most things, over proliferation leads towards some less than stellar examples. We’ve chided Glenmorangie on their Burgundy Wood finished whiskey and it really was pretty bad. “Was” being the appropriate word because they have since discontinued it. Another humorous example of how far this particular fad went was an attempt a number of years ago to finish scotch in used Tabasco barrels. The resulting product was an undrinkable concoction that was repackaged and sold as condiment called Hot Scotch. Jumping the shark a little? I think so.

So where is wood finishing now? It seems to be on the down swing. There are still a number of products out there, both good and bad that tout wood finishing. There continues to be a few new ones popping up from time to time. However, you may not recognize some of these newer ones. “Wood Finish” has become passé in the scotch industry. The new nomenclature? Glenmorangie, the granddaddy of all wood finishers now refers to their products as “Extra Matured”. My personal favorite is Bruichladdich. They refer to their program by the acronym “A.C.E”, meaning “Additional Cask Enhancement”. Wood finishes aren’t dead yet. This particular fad hasn’t quite played out. What will come in the future? Who knows? One particular bright spot seems to be Buffalo Trace. Bourbon wood finishing? Yep. They have a new line of very limited releases under their Experimental Collection. I have not had the opportunity to try any of these but I hear good things.

So what does all this mean? A wider variety of whiskey to enjoy. That’s never a bad thing. However, as with all whiskeys it is a good idea to try before you buy. Just because you love Glenmorangie’s Original 10 year old doesn’t mean the Burgundy Wood should be a staple of your home bar.

Drink wisely my friends.
– Richard

Fad Focus #2: Wood Finishes Read More »