Posts Tagged ‘Balvenie’

Whisky Fest NY ’09 Recap

Wednesday, November 11th, 2009

Last night the Whisk(e)y Apostles re-united at the Marriott Marquis in Times Square for the 12th Annual New York Whisky Fest.  Despite selling fewer tickets this year, it still seemed awfully crowded.  We ran into some friends, saw some from a distance, and I’m sure we missed others entirely.  We had a great time, but we hope you appreciate what hard work an event of this magnitude is for humble whisk(e)y writers such as ourselves.

The night started off with VIP hour.  For the first time, there were published special VIP only pours.  Before we just got to drink for an hour longer than everyone else.  When we saw that The Dalmore was pouring the King Alexander III during the VIP hour, we made a b-line for the table.  The King Alexander III is comprised of whiskies aged in six types of barrels.  The results is a very rich and complex whisky that far out shines the rest of the Dalmore line (more on that later).

Bushmills‘ VIP pour was the 1608, a very fine dram indeed.  However, both of us agreed that the 21yo to be superior (although Matt found it to be a slow opener).  It delivered a complexity of character previously unseen in the Bushmill’s single malts.

Not to buck the established whiskirati, but both of us found the new Wild Turkey Tradition to be superior to the recent American Spirit bottling (but Matt never really took to the American Spirit).

Next up was a lovely pour of Jameson Rarest Vintage Reserve.  This was another high point of the VIP hour.  It started with a lovely nose and followed all the way through as an all around great Irish whiskey experience.  Highly recommended by both Apostles.

There were a few disappointments during the VIP hour.  Tullamore Dew’s 10yo single malt, Bunnahabhain’s 25yo, and the Kilbeggan 15yo all were not bad but didn’t grab us as particularly special, although the Kilbeggan’s nose was unlike any Irish we’d ever smelled.

We rounded out the VIP hour with a stop at Pierre Ferrand’s booth.  This was always Richard’s favorite cognac distiller but it was a new experience for Matt.  In addition to their great standard offerings they were pouring their 45yo Abel and 75yo Ancestrale bottlings during the first hour.  Both were magnificent to say the least.  Unfortunately, we fear that Matt is now ruined on cognac with a new affinity for these exceptional and very old Grand Champagne bottlings.  (And you thought all we drank was whisk(e)y!)

At the end of the VIP hour we tried to handled the overwhelming abundance of offerings with strategic planning but even for the experienced attendee Whisky Fest can be overwhelming.  We’ll take you through the high points by group.

Most of our bourbon time was spent with Woodford, Heaven Hill, and Buffalo Trace.  We got a nip of the new Master Distiller’s Seasoned Oak release from Woodford Reserve.  It was unanimous that the Seasoned Oak is far superior to the most recent two releases but still doesn’t hold a candle to Four Grain releases of years past.  Heaven Hill was offering the 27yo and Golden Anniversary bottlings of Parker’s Heritage Collection.  Both are very good but Matt found the Golden Anniversary more complex while Richard thought the 27yo was the better of the two.  Either way you really can’t go wrong.  We ended bourbon for the evening by thoroughly harassing the Buffalo Trace representative. Threats were issued and promises were made.  In the end there is a loose promise that we will see Buffalo Trace in Georgia by the end of next year. Richard finds it a travesty that Georgia is so close to Kentucky but can’t get any of Buffalo Trace’s standard release.  We haven’t formally reviewed it but it is a personal best buy for both Apostles.

Next we move to our neighbor to the north.  Seasoned readers of our site will know that we haven’t spoken too kindly regarding Canadian whiskies in the past.  We were fortunate enough to have a very candid discussion with John Hall of Forty Creek about the current state of the Canadian whisky industry.  He is great guy and always good to talk with.  During the discussion he poured the Double Barrel Reserve release of Forty Creek, which is very nice.  We also found out that there is the potential for a new release of the Port Wood that didn’t make it to the U.S. the last time it was made.  This time, according to Mr. Hall, it will make it to the US market.  We rounded out our Canadian experience by tried the Cask No. 16 from Crown Royal.  What can we say?  It was good!  This is just more proof that Limousin oak can make anything taste great.

As with most of these events, Scotch seemed to dominate the floor.  We were eager to try the new Dalmore range and were a little disappointed.  The Dalmore has been an Apostle favorite in the past.  The new line tasted flat.  However, we didn’t make it over there until later in the evening.  There is a great possibility that we were suffering from palate fatigue (not to mention the general distraction involved with these events).  We agreed that it would be best to try these again under calmer circumstances before making any definitive statements.

We had a long chat with John MacDonald of Inver House (distillery manager for Balblair) about great whisky and sexy packaging.  We started with AnCnoc, an interesting dram with the scent of a Speyside and the palate of a Highland.  The 16yo particularly stands out.  John’s baby, Balblair was poured as 1991 and 1997 vintages.  Both were really exceptional and will be in the states January of 2010.  When asked about a vintage model versus the age model, he said it was about quality.  After tasting, we could not argue about the quality.

Other highlights in Scottish whisky included as short visit with Dr. Whisky at the Balvenie table, where we tried the 17yo Madeira Cask.  This edition of the 17yo is a fine dram, a step up from last year’s Rum Cask, but still not as heavenly as the original Islay Cask.  The Springbank table gave us some very lovely 18yo Springbank and some very promising 5yo “work in progress” Kilkerran.  Ronnie Cox of The Glenrothes poured us some excellent whisky before being mobbed by Orthodox Jews.  To our palates, the Alba Reserve is superior to the Select Reserve and the 1985 vintage is just swell.  Perhaps the most colorful part of the night was the latest Compass Box offerings.  John Glaser has re-introduced The Spice Tree and Orangerie to the line.  The Spice Tree is going to once again be an Apostle favorite, while Mr. Glaser himself described the Orangerie as some “wacky shit.”  We couldn’t agree more.

After hearing all the hype about Amrut whisky (not to mention the weeping, wailing, and gnashing of teeth involved in getting it to the US), the Apostles were eager to try this Indian single malt.  Matt had been taken in by the hype and was a little disappointed, while Richard’s ardent skepticism provided him with a pleasant surprise.  In general, the entire line is overly sweet and a little unbalanced, it might benefit from a higher proof.  The Fusion expression (a mixture of Indian barley and Scottish peated barley) is the most balanced and enjoyable of the line.

Finally, there were the American microdistillers,  There were more this year than ever before.  Finger Lakes Distilling in upstate New York brought Glen Thunder Corn Whiskey and McKenzie’s Rye.  Glen Thunder can best be described as liquid corn bread in both nose and palate.  McKenzie’s Rye is unlike any other American rye.  The palate is heavy with ginger bread without any of the sticky sweetness of modern ryes.  Stranahan’s Colorado Whiskey continues to improve.  It is very much a beer drinker’s dram (very malty).  The much talked about High West Whiskeys brought their entire line.  All were good, but the Rendezvous Rye stands above the rest.  Lastly was Triple Eight Distillery’s Notch whiskey.  We were like “how good can whiskey from Nantucket be?”  The answer:  pretty darn good.  Made using their own bottle ready beer, it reminded us a little of Charbay Whiskey.  However, at $888, it makes Charbay look like a steal.

Whisky Fest was a great event again this year.  This is always a highlight of the U.S. whiskey calendar every year for twelve years running.  We would like to thank everyone involved in making Whisky Fest work.  The food was great and the atmosphere was friendlier than ever before.  Thanks especially to John Hansell and his entire staff at Malt Advocate for organizing this event.  We can’t wait until next year!

-Matt & Richard

Matt’s Signature Balvenie

Saturday, April 25th, 2009
Matt's custom Balvenie Signature 12yo

Matt's custom Balvenie Signature 12yo

Normally, Balvenie is not a brand that inspires me to great oration.  To my palate, the young Balvenies are so uninspiring that I have never made it to the end of a tasting table.  Richard tells me the 20yo is quite nice and I will make an effort to try that in the future.  However, what whisky geek could pass up the opportunity to blend their own single malt?  I approached this event with unadulterated schoolboy glee and I was not disappointed in any way.

The class took place at Astor Center in NYC and was lead by Dr. Whisky (Sam Simmons, US brand ambassador for Balvenie) and David Mair (Balvenie’s global ambassador).  When I take my seat on the front row, I am greeted by a lovely young woman who offers me some prosecco to “get [me] started.”  Then, as I admire the Balvenie branded tasting diary and the various glasses, bottles, and droppers at each station, both Sam and David come over to introduce themselves.  This is already looking like a good event.

Sam starts by telling us a little about Balvenie Signature 12yo Batch #1 (voted “Best Speyside” in a blind tasting for the New York Times, etc.).  We taste Batch #1 (no longer available, btw).  Sam then hands proceedings over to David for a little history about whisky in general and Balvenie specifically.  I’m not going to get too technical, but a few things stand out about Balvenie as a distillery.  First off, Balvenie is the only Speyside distillery that malts their own barley on a traditional malting floor.  Not all the barley they use is from these maltings, but a good portion.  The fuel for these maltings comes mostly from anthracite (smokeless coal), but they add a small amount of peat for flavor.  Additionally, a portion of the barley used is grown on the premises.  Throw in custom copper pot stills and you have a truly handcrafted product.

“So what does it taste like,” you ask.  Patience, my friends.  Sam somehow convinced the master blender (David Stewart for those taking notes) to part with a few bottles of whiskey that he uses to blend Balvenie Signature 12yo.  This was a real treat, since these whiskies are not commercially available.  Balvenie Signature is comprised of three 12yo single malts: one aged in bourbon casks, one aged in sherry casks, and one aged in refill whisky casks (casks that first held bourbon, then Balvenie whisky).  Although from the same source whisky, each of these spirits have distinctive characteristics.

The bourbon cask produces an amber-colored whisky.  I really enjoyed this.  If Balvenie bottled this, it would be my whisky of choice more often than not.  With a heavenly nose of malt, vanilla, and caramel and a palate that replicates the nose plus maple syrup, this is one for the books.  When comparing it to the Signature, I can find where it lives in the blend.  It seems to be responsible for most of the flavor profile.

The sherry cask gives the Signature most of its color.  This whisky is deep and dark, almost a jewel tone.  The nose is complex.  Notes of black pepper, cloves, tamari, bacon, and celery fill the nose along with a touch of sweetness.  The palate is very powerful and tastes of roasted hazelnuts, Christmas spices and sherry (of course).  On it’s own, this one is a bit much, but it sits nicely in the back of the blend.

Finally, the refill whisky cask is very pale in color.  The nose is remniscent of fresh fruit and licorice.  The palate is overwhelmed with licorice.  Unlike the herbal licorice of an Islay malt, the licorice of this dram is more like a classic Brach’s black jelly bean.

After sampling all this, we had the opportunity to blend our own Balvenie Signature.  You can see mine in the photo above.  This was great fun.  We compared ours to Batch #1, but the intent was to come up with our perfect blend not necessarily to match David Stewart’s creation.  I was feeling pretty good about mine, thinking I could be a master blender some day.  Then, Sam brought out Balvenie Signature 12 yo Batch #2 (available in June for $52.99).  I have to bow to the superior skills of Mr. Stewart.  Mine was good, but his impeccable ability to create a multi-layered masterpiece was awe inspiring.  I could taste the elements of the construction.  Even the candy licorice flavor floated across the palate like a thin sheen of oil on clear water.  However, Balvenie Signature is greater than the sum of it’s parts.  I for one, will be standing at the door when this hits the shelves.

In conclusion, this is the best whisky event I have ever attended.  I gained a greater appreciation for what blenders/distillers go through to create all this wonderful whisky.  Thanks to Sam, David, and the folks at Astor Center for putting this together.  I would love to see more classes like this.

Drink well, drink responsibly.
-Matt

Event Notice: Blend Your Own Whisky

Tuesday, April 21st, 2009

Astor Center (NYC) and Balvenie are teaming up to give the true Scotch whisky enthusiast the opportunity to deconstruct then reconstruct the Balvenie Signature 12yo this Friday (April, 24). The cost of the class is $95. More for info, visit Astor Center in person or on the web.

Hendrick’s Gin

Saturday, February 28th, 2009

For this week’s “Taste of” we’re doing something a little different.  In an effort to expand both our horizons and yours, Matt and I are going to review a non-whiskey product.  “Gasp!” you say?  Don’t worry.  We’re still whiskey apostles at heart but it’s good to try new things.  We’ll try to do this about once a month or so.  First up will be a gin.  You can’t get much more different from whiskey than that.  Except for the fact that this particular gin is made by William Grant & Sons.  You may know William Grant & Sons as the makers of Glenfiddich and Balvenie.  Enjoy.

Hendrick’s Gin
44% ABV/88 Proof
Available worldwide for $25 to $35 per bottle

What the distillery says:
This handcrafted gin is distilled for a proprietary recipe which includes traditional botanicals such as juniper, coriander, and citrus peel.  The “unexpected” infusion of cucumber and rose petals results in a most iconoclastic gin.  It is not for everyone.

What Richard says:
Nose: Floral and herbal as you’d expect from gin but almost more so.  It lays out like a well crafted gentleman’s cologne.  When opened up with a little water I find jasmine and lavender with a hint of fresh autumn leaves.
Palate: The palate is very surprising.  It tastes of orange zest in lavender water, more specifically Cara Cara oranges. (If you’ve never had the pleasure I highly recommend them.)  More citrus notes that the average gin.  It’s very pleasant.  It kind of reminds me of Compass Box’s Orangerie aperitif.  Tonic water lends it a sharper more defined flavor well beyond the “alcoholic Sprite” of a lot of gin and tonics.
Finish: Crisp and clean.  It leaves the orange zest in your mouth as the botanicals pass through.
Comments: I’m not really a gin fan but this is a spirit I can truly respect.  And not just because it’s made by William Grant & Sons.  It doesn’t stand out because they turned gin on its head, more likely they pushed gin to its true potential.  Whether a casual gin drinker or a serious connoisseur, I would definitely recommend this.
Rating:  Must Try.

What Matt says:
Nose: Above all this gin smells like it elements.  There are clear notes of juniper, but it’s the coriander and citrus zest that stand out on the nose.  The rose petals and cucumber hang back a little and wait to assert themselves on the palate.
Palate: This is not your average gin.  Richard hit the nail on the head with the Cara Cara orange reference.  The cucumber comes through with a very clean flavor and the rose petals come out just enough to be known.  The coriander and juniper take a back seat to these stronger flavors, but really make the flavor profile dance.  Adding tonic really kicks the cucumber into overdrive (the makers of Hendrick’s suggest garnishing their gin and tonic with a slice of cucumber instead of the traditional lime).  There is a high citrus element, but it is more of a Cara Cara or blood orange citrus than lime like other gins.
Finish: Rose water and orange zest
Comments: I’m an old fashioned kind of guy.  I believe that a gentleman should be drink his martinis with gin and his whisk(e)y neat.  If you are like me and Teddy Roosevelt (or was it FDR?), you’re idea of a martini is a generous pour of gin next to an open bottle of vermouth.  To do this, you must have good gin (you’re drinking it straight after all).  Hendrick’s fits the bill on this one.  I love a good gin and tonic as well and this makes a great one.  This is my very favorite gin.
Rating:  Must Buy.

Overall Rating:
From the moment you see it on the shelf, you know that Hendrick’s is different.  It’s strangley shaped dark colored bottle and artfully rendered label look more at home on the shelf of Victorian apothecary than a liquor store.  As you investigate, you find that even the distillery claims that this gin “is not for everyone.”  Today, you are in an adventurous mood so you decide to pick up a bottle.  You are greeted with flavors you have never tasted in a gin.  You are not quite sure what to think.  Then, as the gin swirls around your mouth and your nose is filled with rich botanicals, you become enthralled.  There is a reason that the Wall Street Journal voted this the “Best Gin in the World” in 2003.  More and more, I’m seeing Hendrick’s offered in bars (they don’t usually have a slice of cucumber though), right next to the Tanqueray Ten and Bombay Sapphire.  The word is spreading.
Must Try.